There’s something of an epilogue to the aforementioned performance by Army of Lovers in Melodifestivalen. As it turned out, their showy number didn’t take them very far in the competition (one of the semifinals) as the viewers voted them to a meek 6:th place out of eight contenders. No doubt disappointing for the veteran trio judging from the promotions of this being their big comeback, of upcoming tours and so on.
Indeed, just days later band member Camilla “La Camilla” Henemark was abruptly kicked out of the band. She was ridiculed in the media for poor lipsynching during the performance. Shortly thereafter, Alexander Bard, the informal band head, tweeted:
If after three months you still can’t lipsynch two sentences, then collective therapy is useless, you need a brain transplant.
Bard didn’t explicitly mention Henemark’s name, but it wouldn’t seem like a very far cry to guess it’s indeed her he’s referring to.
So, why bother with this kind of gossip? Because it so picture-perfectly illustrates the idealization–devaluation cycle – one of the major defense mechanisms in reaction to narcissistic injury (suffered, in this illustration, by Bard and the other members due to the bands failure). Just consider the figurative Rise and Fall of La Camilla over just a few days; from being worshiped as a queen during the Melodifestivalen performance – to being dethroned, derided as an idiot and sacrificed on the public altar. Wow!
We certainly don’t know all the whereabouts in this little episode and it can all be just a big coincidence, but the symbolism just doesn’t get any more colorful than this.
Psychologically, devaluation is utilized to regulate wavering sense of self-worth, caused by a setback of some kind (narcissistic injury). By devaluating someone else, the perpetrator feels re-empowered and rejuvenated. It exists in most relationships in varying forms and degrees, but it’s more common in persons with narcissistic propensities (such as histrionics), due to their common trait of fluctuating sense of self-worth (and thus need for mechanisms of regulation).
Update: Well, bad goes to worse. During a recent club performance, the band – now with a replacement for the female lead – apparently brought a live size Henemark-impersonating sex doll on stage and placed it mockingly on a throne. According to spectators (and seemingly evident in the footage), Bard even stabbed the doll at the end of the show (adding a new meaning to the “sacrifice” mentioned earlier). Well, I guess the fun of it ebbs out just about here. No need to be implicative any longer: this is clearly a vicious, vengeful behavior from someone with deep narcissistic wounds.